The Last of the Mohicans: Director's Definitive Cut | Full Movie | Movies Anywhere

Name: The Last of the Mohicans: Director's Definitive Cut
Released: 1992-9-25
Cast: Daniel Day-Lewis, Madeleine Stowe, Jodhi May

The Last of the Mohicans: Director's Definitive Cut

NR
1h 55m
1992

88%

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Get even more action and adventure in this special Director's Definitive Cut of The Last of the Mohicans! An epic adventure and passionate romance unfold against the panorama of a frontier wilderness ravaged by war. Academy Award® winner Daniel Day-Lewis (Best Actor in 1989 for My Left Foot) stars as Hawkeye, rugged frontiersman and adopted son of the Mohicans, and Madeleine Stowe is Cora Munro, aristocratic daughter of a proud British Colonel. Their love, tested by fate, blazes amidst a brutal conflict between the British, the French and Native American allies that engulfs the majestic mountains and cathedral-like forests of Colonial America. Based on the American literary classic by James Fenimore Cooper.

Director:

Michael Mann

Producer:

Michael Mann, Hunt Lowry

Writer:

Michael Mann, Christopher Crowe, Philip Dunne, Paul Perez, John Balderston, Daniel Moore

Cast:

Daniel Day-Lewis, Madeleine Stowe, Jodhi May

EXTRAS

Locked video

AUDIO COMMENTARY BY DIRECTOR MICHAEL MANN

1 HR 54 MIN

MAKING OF LAST OF THE MOHICANS

THEATRICAL TRAILERS

Rotten Tomatoes® Score

TOMATOMETER®

88%

Critics Consensus: The Last of the Mohicans is a breathless romantic adventure that plays loose with James Fenimore Cooper's novel -- and comes out with a richer action movie for it.

Reviews

Toronto Star

Catherine Dunphy

Anchored by a performance of almost Zen-like calm and focus by a lithe Daniel Day-Lewis and another of muted but fierce intensity by Madeleine Stowe, it is nothing less than a cinematic second coming.

The rest of us can revel in what is certainly the best historically minded Hollywood movie since Glory, one that respects the intelligence of its story, its characters and its audience.

As an amoral and anti-political period piece, deeply invested in the futility of war, the movie's brute splendor is all the more moving because it's so extravagantly doomed.

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FULL REVIEW

London Evening Standard

Alexander Walker

A film that restores to the screen what it used to do best: grandeur of scale, intimacy of people, generosity of emotion, a subtext of saga and legend. Oh hell, what’s the word for it? Yes, “epic.”

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FULL REVIEW

Atlanta Journal-Constitution

Eleanor Ringel Cater

In a sense, Mr. Mann has returned to the very roots of motion pictures. With its tumultuous flow of music and images, “Mohicans” is like a long-lost something from the era of silent movies.

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FULL REVIEW