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Shyamalan has garnered a reputation for twists and turns that has regularly come off onscreen as a professional burden rather than an artistic choice - a sick, unfortunate game of catch up by a director once heralded as the next filmic pioneer.

Of course, there's a twist, but this isn't a typical M. Night Shyamalan movie, so it's not dreams or aliens or a ship in a bottle. It's modern and altruistic in the only way Chaotic Good can be.

Nobody can accuse M Night Shyamalan of pulling punches, but what if viewers are the ones being punched?

It's kind of like a B-minus Twilight Zone premise writ large and outlandish, with a bit of mediocre soft-core body horror mixed in there for good measure.

The film tries to pretend that its central gimmick has not been given away by its posters and trailers. It is frustrating to watch characters stumble in the dark for so long.