Halloween Ends

For a film called Halloween Ends, let’s pray that this time, it’s true.

Green truly has lost the way with his trilogy. What started out as one of the most promising modern reboots, has turned into the laughing stock of the genre.

It reflects how the personal and collective's dark and psychopathic aspects always come back to haunt us. It confronts us with one of the unknowns that always arise when faced with evil, is the monster born or made? [Full Review in Spanish]

It’s clear, as Green brings his trilogy to a close, that he’s always been as invested in examining the mythological import of this place — an all-American town infected by evil it cannot fathom or even face — as what happened there one Halloween night.

Halloween Ends is a series of punches that feel pulled back. It is not as influential as the original film, nor is it as provocative as the sequel to Rob Zombie’s interpretation, or even as memorably polarising as Season of the Witch.