Domino

Richard "Donnie Darko" Kelly's screenplay is a fantastical, incoherent fuzz while director Tony Scott tries and fails to recapture the energy and fun of his 1993 hit, True Romance.

While visual anarchy can be starling and bracing in chunks, Domino quickly settles into a one-tone-fits-all groove that's desperately wearying.

Despite a great deal of promise and a rousing (albeit too drawn out) finale, it is crippled by a lack of narrative focus and good characterization. But it could have been so much more, and that is truly the worst thing that could be said about it.

Kelly writes an often taut and fascinating look at bounty hunters gives us some truly likable characters I often found myself rooting for.