Bram Stoker's Dracula | Full Movie | Movies Anywhere

Name: Bram Stoker's Dracula
Released: 1992-11-13
Cast: Anthony Hopkins, Tom Waits, Keanu Reeves, Winona Ryder, Gary Oldman

Bram Stoker's Dracula

R
2h 7m
1992

69%

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Gary Oldman, Winona Ryder and Anthony Hopkins star in director Francis Ford Coppola's visually stunning, passionately seductive version of the classic Dracula legend. In Bram Stoker's Dracula, Coppola returns to the original source of the Dracula myth, and from that gothic romance, he creates a modern masterpiece. Gary Oldman's metamorphosis as Dracula who grows from old to young, from man to beast is nothing short of amazing. Winona Ryder brings equal intensity to the role of a young beauty who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula, and then dares to confront him. Opulent, dazzling and utterly irresistible, this is Dracula as you've never seen him. And once you've seen Bram Stoker's Dracula, you'll never forget it.

Director:

Francis Ford Coppola

Producer:

Francis Ford Coppola, Fred Fuchs, Charles Mulvehill

Writer:

James V. Hart

Cast:

Anthony Hopkins, Tom Waits, Keanu Reeves, Winona Ryder, Gary Oldman

Rotten Tomatoes® Score

TOMATOMETER®

69%

Critics Consensus: Overblown in the best sense of the word, Francis Ford Coppola's vision of Bram Stoker's Dracula rescues the character from decades of campy interpretations -- and features some terrific performances to boot.

Reviews

ClapperCast

Carson Timar

This film is an absolute work of art. From the production design to the costumes, this is a perfectly grand and lavish adaptation of the original story that captures the tragedy in this narrative so well!

Opulent and lustrous, it never makes much sense at the character level, but glistens with such dark, carbuncular magnificence and is fueled by such an elixir of sexual yearning that I defy any manjack among you to deny its murky tidal pull.

This Dracula is only eyeball-deep, a series of opulent sensory jolts, drained of real emotion; in effect, it's a two-hour trailer for a film that never arrives.

It's a major misstep for Coppola, who has lavished attention on an artsy presentational style but ignored the film's dramatic needs. This Dracula tries to be romantic and ends up being merely insipid.

The movie seethes with visual genius and imagistic segues so brazenly hokey that to call them kitsch would utterly trivialize the hallucinatory onslaught. The naive bravado of it all ravishes sense and subtlety.

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FULL REVIEW