Poltergeist

[It] raises interesting psychological issues in the context of a baroque ghost story. It's a devastating commentary on the tv-oriented suburban lifestyle. Finally, it demonstrates the power and efficacy of the story told from the child's point of view.

Spielberg's intent may be satirical, but I find these stereotypes even more depressing than hobgoblins, and would not have minded if they'd all been dragged off into the fourth dimension.

One of the 1980s' most distinctive and important horror movies.

The buildup is slow and deliberate, creating a vivid sense of love and warmth within the family who share the harrowing adventure.

Hooper's direction may lack its usual edgy personality -- apparently over-ruled by Spielberg's script suggestions -- but he puts on a dazzling show, and the intuitive performances are uniformly on the panic button.